Luxor
The ancient Egyptians called it simply “Niut”, “the City”. Homer named it the “City of a Hundred Gates”.Luxor possesses undeniable charm. Here and there among the palace halls and gardens and on facades of nineteenth-century buildings with corbelled balconies there is a glimpse of the past and of a time of British colonials and Egyptian monarchs.

Luxor, City of the Living

The right bank, site of modern-day Luxor, was the City of the Living dedicated to Amen, an obscure local divinity raised to the level of principal deity in place of Re. The priests of Amen eventually became so powerful that nothing escaped their political control. Amenhotep IV (1372-1354 BC) experienced this to his cost when he decided to abandon Amen and the pantheon of gods for the monotheistic cult of Aten; when the pharaoh died, Tell el-Amarna, the city dedicated to the new cult, was destroyed by the servants of Amen who at the same time set about restoring divine power as they saw it.
Aside from conquering and warring with enemy peoples such as the Hittites and Libyans, successive pharaohs – seen as divine incarnations and revered as such – were preoccupied with ensuring their own greatness and legacy. They were keen, therefore, to extend and embellish the two temples erected to the glory of Amen – the complex at Karnak and the more modest temple at Luxor – whilst endeavouring, sometimes aggressively, to erase the memory of preceding pharaohs’ prestige.
Luxor, tourist capital of Egypt

In the earliest centuries of the Christian era, followers of the new faith built their churches within the confines of what had been sacred spaces for Egyptians at the time of the pharaohs. In temples such as those at Luxor and Karnak engraved crosses are still visible. Luxor was of no interest to the Arab armies arriving to spread the faith of Islam. Muslim leaders founded the city of Cairo and the splendour of Islamic civilisation developed hundreds of kilometres to the north of the former capital.
When Europeans rediscovered the pharaonic civilisation, as Napoleon did on a military expedition at the end of the eighteenth century bringing back the first ornaments in his luggage, Luxor was a city asleep. Drawings and watercolours of the period illustrate this. The temples are depicted filled with sand and flocks of domestic animals wander among columns buried up to their capitols in the ground. Europe was, however, being gripped at the time by Egyptomania and Orientalism. "La Description de l’Egypte" (A description of Egypt) compiled by scholars accompanying Napoleon’s armies, was written as a result. Exhibitions of antique objects, jewellery and mummies were common. From the second half of the nineteenth century, Luxor became a destination for tourists, but only for a sufficiently wealthy handful.
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